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Director
From Acclaimed Ads to the Andes: Director Dougal Wilson’s Charming Feature Film Debut “Paddington in Peru”
Poster Designer
Red Alerts & Cherry Blossom Brawls With “Captain America: Brave New World” Production Designer Ramsey Avery
Special/Visual Effects
Be Still My Bursting Chest: “Alien: Romulus’s” Oscar-Nominated VFX Team on Finding Fresh Horror for the Franchise
Super Bowl Trailers: Marvel’s “Thunderbolts,” “Jurassic World: Rebirth” and Tom Cruise’s Latest “Mission: Impossible” Expected
Oscar-Nominated Producer Maria Carlota Bruno on Recreating a Transcendent Heroine in “I’m Still Here”
Producer
“Mission: Impossible – The Final Reckoning” Launches Tom Cruise Into the Super Bowl
Christopher Nolan’s “The Odyssey” to Deploy New IMAX Technology & Film a Portion on Sicily’s “Goat Island”
First Images From “The Fantastic Four: First Steps” Arrive Alongside Teaser
“The Substance” of Nightmares: Oscar-Nominated Makeup Effects Master Pierre Olivier Persin on His Terrifying Transformations
Sound Designer
“A Complete Unknown”: Orchestrating 60+ Live Performances for Oscar-Worthy Sound
First Image From Christopher Nolan’s “The Odyssey” Reveals Matt Damon as Odysseus
Screenwriter
No More Games: “September 5’s” Oscar-Nominated Writers on the Day Terror Took Center Stage
How Director Mohammad Rasoulof Shot his Oscar-Nominated “The Seed of the Sacred Fig” in Secret
“Conclave” Oscar Nominee Peter Straughan on Scripting a Devilishly Good Vatican Thriller
Julian Brave NoiseCat & Emily Kassie’s on “Sugarcane”: Their Oscar-Nominated Exploration of Trauma and Truth
Director Screenwriter
“Nickel Boys” Writer/Director RaMell Ross on Camera as Consciousness in His Oscar-Nominated Film
Costume Designer
“Conclave’s” Oscar-Nominated Costume Designer Lisy Christl on the Fashion of Faith
Director Special/Visual Effects
Director Wes Ball & Oscar-Nominated VFX Supervisor Erik Winquist on the Groundbreaking Visuals of “Kingdom of the Planet of the Apes”
Oscar-Nominated VFX Supervisor Paul Lambert on Infrared Insanity in “Dune: Part Two”
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