CinemaCon Captivated: Christopher Nolan’s “The Odyssey” Promises Cinematic History

“We know this film will be a once-in-a-generation cinematic masterpiece that Homer himself would be very proud of,” Jim Orr, Universal Pictures’ president of domestic theatrical distribution, said from the stage of the Colosseum at Caesars Palace in Las Vegas on Wednesday at this year’s CinemaCon.

Orr was talking about Christopher Nolan’s upcoming adaptation of The Odyssey, which is currently filming in southern Europe, including on goat island.

By The Credits  |  April 3, 2025
“Once Upon a Time in Hollywood” Follow-Up in Works with Fincher and Pitt With a Script by Tarantino

There has long been talk of Quentin Tarantino doing something additional with his amazing cast from Once Upon a Time in Hollywood, whether it was a proper sequel, a spinoff movie focusing on Brad Pitt’s stuntman character Cliff Booth, or another movie entirely that featured Pitt’s Booth. Now, it turns out, a sequel (of sorts) is, in fact, in the works, based on a script Tarantino wrote, but the man himself isn’t directing it.

By The Credits  |  April 2, 2025
James Gunn’s “Superman” Soars for Warner Bros. at CinemaCon

Warner Bros.’s presentation at CinemaCon on Tuesday featured the most iconic superhero not named Batman. James Gunn’s upcoming Superman was the main attraction, with Gunn and the cast unveiling a new extended look at the film. The film will be the first to fly out of Gunn and Peter Safran’s new-look DC Studios. Superman is a fitting film to launch their brand new slate, which promises a bold, unified world of superheroes,

By The Credits  |  April 2, 2025
Val Kilmer Passes Away, Leaving Behind a Legendary Career & Admirers Far and Wide

“I’m your huckleberry.”

In 1993, director George Cosmatos’ Tombstone came out, starring Kurt Russell as the legendary lawman Wyatt Earp and Val Kilmer as his drunken, decidedly decent and invaluable partner Doc Holliday. By then, Kilmer was already a legend, having played Ice Man, the ying to Maverick (Tom Cruise, of course)’s yang in Tony Scott’s 1986 film Top Gun, and Jim Morrison in Oliver Stone’s 1991 film The Doors, 

By The Credits  |  April 2, 2025
Tom Holland’s “Spider-Man 4” Gets New Title Ahead of Production This Summer

Sony had a lot to reveal yesterday in Las Vegas at the annual CinemaCon gathering—the cast and release date for Sam Mendes’ four-part Beatles biopic, the release date for the trilogy-capping third film in the Spider-Verse franchise, and the new title for Tom Holland’s fourth spin as Spider-Man.

Peter Parker’s next live-action outing, to be directed by Shang-Chi and the Legend of the Ten Rings director Destin Daniel Cretton, 

By The Credits  |  April 1, 2025
“Spider-Man: Beyond the Spider-Verse” Swinging Into Theaters in 2027

Sony’s presentation at CinemaCon in Las Vegas had it all—the Fab Four and Spider-Man. While Sony ended their presentation by bringing out director Sam Mendes and his cast for his upcoming four-part Beatles biopic, the earlier part of their presentation was centered upon one of the studio’s most beloved current franchises. Spider-Man: Beyond the Spider-Verse, the third installment of their animated trilogy featuring Brooklyn’s very own Spider-Man, was revealed to be swinging into theaters on June 4,

By The Credits  |  April 1, 2025
Sam Mendes’ Beatles Biopic Reveals Fab Four: Paul Mescal, Joseph Quinn, Barry Keoghan, & Harris Dickinson

The cast and release date for Sam Mendes’ four-part Beatles biopic have been revealed.

At CinemaCon in Las Vegas on Monday, Mendes and his cast took to the stage to unveil not only who his John, Paul, Ringo, and George were, but also that all four films will have a theatrical release in April 2028.

Your Fab Four are Harris Dickinson as John Lennon, Paul Mescal as Paul McCartney,

By The Credits  |  April 1, 2025
New “Black Mirror” Season 7 Trailer Reveals Episode Details Ahead of Series Return on April 10

We know about as much information on Black Mirror season 7 as we’ll get before one of the great sci-fi series of all time returns to Netflix on April 10.

A new trailer includes more details about Charlie Brooker‘s unnervingly prescient anthology series’ return, including the titles of all six episodes, the synopsis, cast, run time, and credits for each episode. Season 7 also boasts, for the first time in the series’

By The Credits  |  March 31, 2025

Interview

Cinematographer

“Snow White” Cinematographer Mandy Walker on Casting a Visual Spell Through Past & Present

Nestled between a dental office and a local tavern in the Los Angeles neighborhood of Atwater Village is Tam O’Shanter, a Scottish restaurant inside a storybook style Tudor cottage, its interior a blend of rustic elegance and historical charm, a vestige of “Old Hollywood.” In the corner of the dimly lit room is Table 31, a regular spot of Walt Disney when the studio was located on Hyperion Avenue in the 1920s. It’s rumored the restaurant partially inspired Disney’s first feature-length animated film,

By Daron James  |  March 31, 2025

Interview

Director

“Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip” Director Marvin Lemus on a Family Adventure Through New Mexico

The title says it all: Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip is a PG comedy that follows a rambunctious family on an RV trek through New Mexico. Their destination? A very old village in Mexico, home to an ancient stone idol. By returning the haunted talisman to its ancestral home, 11-year-old Alexander (newcomer Thom Nemer) thinks he can lift the curse bringing bad luck to his mother, father,

By Hugh Hart  |  March 31, 2025
SXSW 2025: Dan Farah’s “The Age of Disclosure” Stuns Crowd With Shocking Alien Doc

Festival crowds are notoriously exuberant—it can be hard to get a real read on a film’s potential for broader success or acclaim even if the first time it plays for a crowd at a film festival results in cheers and guffaws. Yet sometimes, for some films, a festival crowd’s excitement is as precise an indicator for a film’s impact as you need. This was the case here in Austin this past Sunday, when director Dan Farah showcased his doc The Age of Disclosure for the first time ever to a crowd.

By The Credits  |  March 10, 2025
Cam’s Back: New “Back in Action” Trailer Boasts Cameron Diaz’s Return to Big Screen Alongside Jamie Foxx

The family pulls into a gas station for a quick fill-up and some snacks, a very common vignette for millions of people across the world. The difference here is that the parents, Cameron Diaz’s Emily and Jamie Foxx’s Matt, are not your usual PTA-attending, Girl Scout Cookie-drive leading ma and pa, and when they dispatch two bad guys in full view of their shocked children, the jig is up. At one point deeper into the trailer,

By The Credits  |  January 14, 2025
“Mission: Impossible – The Final Reckoning” Launches Tom Cruise Into the Super Bowl

If this is Tom Cruise’s last mission as IMF Agent Ethan Hunt, he chose an auspicious time to unleash a furious new look—in the midst of the Philadelphia Eagles prime time demolition of the reigning champs in the Kansas City Chiefs during the Super Bowl. The game wasn’t close, but Ethan’s hunt (pun intended) to secure a rogue AI and save the world is balanced on a knife’s edge.

The fresh look at Cruise’s 8th mission in the decades-old franchise,

By The Credits  |  February 10, 2025
Following “Ballerina,” a Fifth “John Wick” Movie Has Been Confirmed

John Wick will never die.

And by “John Wick,” we might not necessarily be referring to the man himself, as played by Keanu Reeves in the first four films. By all accounts, Reeves’ nearly indestructible assassin died a noble death at the end of the last installment, John Wick: Chapter 4. We knew we’d be given another glimpse at the man in the upcoming spinoff, Ballerinawhich stars Ana de Armas as Eva Macarro as she begins training as an assassin in the traditions of the Ruska Roma.

By The Credits  |  March 12, 2025

Interview

Director

How Director Mohammad Rasoulof Shot his Oscar-Nominated “The Seed of the Sacred Fig” in Secret

Iranian filmmaker Mohammad Rasoulof wanted to tell a big story — so he went small. The Seed of the Sacred Fig explores his country’s authoritarian rule, repressive justice, patriarchal dominance, and women’s rights through its impact on one family.

Taking place during the 2022 Woman, Life, Freedom movement, a nationwide protest sparked by the arrest of Mahsa Amini, a 22-year-old Iranian woman jailed for not wearing a hijab and beaten to death while in custody,

By Chris Koseluk  |  February 18, 2025

Interview

Director

No Cuts, Pure Tension: “Adolescence” Director Philip Barantini on Crafting Netflix Thriller in Unbroken Single Takes

British actor Stephen Graham is so reliably intense he played Al Capone for Martin Scorsese in Boardwalk Empire, stared down Al Pacino in The Irishman, executive producer and co-starred in the bare knuckle boxing drama A Thousand Blows, and earned the prestigious Officer of the Order of the British Empire (OBE) award for his contributions to UK television. Now he’s co-written the acutely tense Adolescence (streaming on Netflix on March 13),

By Hugh Hart  |  March 13, 2025

Interview

Special/Visual Effects

Be Still My Bursting Chest: “Alien: Romulus’s” Oscar-Nominated VFX Team on Finding Fresh Horror for the Franchise

Alien: Romulus Visual Effects Supervisor Eric Barba and FX Designer Alec Gillis bring the past and future together. Set between the events of Ridley Scott’s ferocious opener Alien and James Cameron’s muscular sequel Aliens, Barba, Gillis, and their team fused the tangible, practical horror and decay of the original films with a more modern, rock-and-roll sensibility. The viscerally immersive results earned the film an Academy Award nomination for Best Visual Effects.

By Jack Giroux  |  February 20, 2025

Interview

Director

“Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip” Director Marvin Lemus on a Family Adventure Through New Mexico

The title says it all: Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip is a PG comedy that follows a rambunctious family on an RV trek through New Mexico. Their destination? A very old village in Mexico, home to an ancient stone idol. By returning the haunted talisman to its ancestral home, 11-year-old Alexander (newcomer Thom Nemer) thinks he can lift the curse bringing bad luck to his mother, father,

By Hugh Hart  |  March 31, 2025
Super Bowl Trailers: Marvel’s “Thunderbolts,” “Jurassic World: Rebirth” and Tom Cruise’s Latest “Mission: Impossible” Expected

The Super Bowl is the most-watched television broadcast in the United States every year. In 2024, the Kansas City Chiefs clash with the San Francisco 49ers in Super Bowl LVIII (58 for the Roman numeral illiterate) drew an average of 123.7 million viewers across linear and streaming services in the U.S. alone. The big game is also broadcast in over 130 countries in more than 30 languages worldwide, and it functions not just as the year’s biggest TV draw but as a bonafide cultural event that includes a raucous halftime show with a rotating cast of musical icons.

By The Credits  |  January 30, 2025
“Thunderbolts”: Marvel’s Wild Card Mixes Antiheroes and Indie Talent From A24 & More

Recently, Florence Pugh, one of the stars of Marvel’s upcoming antihero epic Thunderbolts, said the Marvel Cinematic Universe installment was very unlike your average MCU addition. In fact, Pugh told Empire that Thunderbolts feels much more like an indie film.

“It ended up becoming this quite badass indie, A24-feeling assassin movie with Marvel superheroes,” Pugh told Empire. 

This isn’t just one of the film’s marquee names trying to give her movie an edge at the box office.

By The Credits  |  March 11, 2025
CinemaCon Captivated: Christopher Nolan’s “The Odyssey” Promises Cinematic History

“We know this film will be a once-in-a-generation cinematic masterpiece that Homer himself would be very proud of,” Jim Orr, Universal Pictures’ president of domestic theatrical distribution, said from the stage of the Colosseum at Caesars Palace in Las Vegas on Wednesday at this year’s CinemaCon.

Orr was talking about Christopher Nolan’s upcoming adaptation of The Odyssey, which is currently filming in southern Europe, including on goat island.

By The Credits  |  April 3, 2025
“Once Upon a Time in Hollywood” Follow-Up in Works with Fincher and Pitt With a Script by Tarantino

There has long been talk of Quentin Tarantino doing something additional with his amazing cast from Once Upon a Time in Hollywood, whether it was a proper sequel, a spinoff movie focusing on Brad Pitt’s stuntman character Cliff Booth, or another movie entirely that featured Pitt’s Booth. Now, it turns out, a sequel (of sorts) is, in fact, in the works, based on a script Tarantino wrote, but the man himself isn’t directing it.

By The Credits  |  April 2, 2025
James Gunn’s “Superman” Soars for Warner Bros. at CinemaCon

Warner Bros.’s presentation at CinemaCon on Tuesday featured the most iconic superhero not named Batman. James Gunn’s upcoming Superman was the main attraction, with Gunn and the cast unveiling a new extended look at the film. The film will be the first to fly out of Gunn and Peter Safran’s new-look DC Studios. Superman is a fitting film to launch their brand new slate, which promises a bold, unified world of superheroes,

By The Credits  |  April 2, 2025
Val Kilmer Passes Away, Leaving Behind a Legendary Career & Admirers Far and Wide

“I’m your huckleberry.”

In 1993, director George Cosmatos’ Tombstone came out, starring Kurt Russell as the legendary lawman Wyatt Earp and Val Kilmer as his drunken, decidedly decent and invaluable partner Doc Holliday. By then, Kilmer was already a legend, having played Ice Man, the ying to Maverick (Tom Cruise, of course)’s yang in Tony Scott’s 1986 film Top Gun, and Jim Morrison in Oliver Stone’s 1991 film The Doors, 

By The Credits  |  April 2, 2025
Tom Holland’s “Spider-Man 4” Gets New Title Ahead of Production This Summer

Sony had a lot to reveal yesterday in Las Vegas at the annual CinemaCon gathering—the cast and release date for Sam Mendes’ four-part Beatles biopic, the release date for the trilogy-capping third film in the Spider-Verse franchise, and the new title for Tom Holland’s fourth spin as Spider-Man.

Peter Parker’s next live-action outing, to be directed by Shang-Chi and the Legend of the Ten Rings director Destin Daniel Cretton, 

By The Credits  |  April 1, 2025
“Spider-Man: Beyond the Spider-Verse” Swinging Into Theaters in 2027

Sony’s presentation at CinemaCon in Las Vegas had it all—the Fab Four and Spider-Man. While Sony ended their presentation by bringing out director Sam Mendes and his cast for his upcoming four-part Beatles biopic, the earlier part of their presentation was centered upon one of the studio’s most beloved current franchises. Spider-Man: Beyond the Spider-Verse, the third installment of their animated trilogy featuring Brooklyn’s very own Spider-Man, was revealed to be swinging into theaters on June 4,

By The Credits  |  April 1, 2025
Sam Mendes’ Beatles Biopic Reveals Fab Four: Paul Mescal, Joseph Quinn, Barry Keoghan, & Harris Dickinson

The cast and release date for Sam Mendes’ four-part Beatles biopic have been revealed.

At CinemaCon in Las Vegas on Monday, Mendes and his cast took to the stage to unveil not only who his John, Paul, Ringo, and George were, but also that all four films will have a theatrical release in April 2028.

Your Fab Four are Harris Dickinson as John Lennon, Paul Mescal as Paul McCartney,

By The Credits  |  April 1, 2025

Interview

Cinematographer

“Snow White” Cinematographer Mandy Walker on Casting a Visual Spell Through Past & Present

Nestled between a dental office and a local tavern in the Los Angeles neighborhood of Atwater Village is Tam O’Shanter, a Scottish restaurant inside a storybook style Tudor cottage, its interior a blend of rustic elegance and historical charm, a vestige of “Old Hollywood.” In the corner of the dimly lit room is Table 31, a regular spot of Walt Disney when the studio was located on Hyperion Avenue in the 1920s. It’s rumored the restaurant partially inspired Disney’s first feature-length animated film,

By Daron James  |  March 31, 2025

Interview

Director

“Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip” Director Marvin Lemus on a Family Adventure Through New Mexico

The title says it all: Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip is a PG comedy that follows a rambunctious family on an RV trek through New Mexico. Their destination? A very old village in Mexico, home to an ancient stone idol. By returning the haunted talisman to its ancestral home, 11-year-old Alexander (newcomer Thom Nemer) thinks he can lift the curse bringing bad luck to his mother, father,

By Hugh Hart  |  March 31, 2025
Disney Circling Martin Scorsese’s Hawaii-Set Crime Thriller Starring DiCaprio, Johnson, & Blunt

You’d be hard pressed to find a more exciting film project than Martin Scorsese‘s Hawaii-set crime caper with this cast—DiCaprio, Johnson, and Blunt—so why wouldn’t Disney come scoop it up?

Deadline reports that the studio is nearing a deal for the project, which is being described as a kind of Goodfellas on the Hawaiian islands, with Robert De Niro’s Jimmy the Gent character instead a Hawaiian crime boss,

By The Credits  |  March 28, 2025
New “Black Mirror” Season 7 Trailer Reveals Episode Details Ahead of Series Return on April 10

We know about as much information on Black Mirror season 7 as we’ll get before one of the great sci-fi series of all time returns to Netflix on April 10.

A new trailer includes more details about Charlie Brooker‘s unnervingly prescient anthology series’ return, including the titles of all six episodes, the synopsis, cast, run time, and credits for each episode. Season 7 also boasts, for the first time in the series’

By The Credits  |  March 31, 2025
A Gripping, Ripping “Andor” Season 2 Trailer Sets Its Course for Rebellion

“I came with you to a be a part of something,” Cassian Andor (Diego Luna) says at the top of the official trailer for Andor season 2. In season 1, our titular hero started out wanting to be anything but, yet he was swept up in events far larger than them himself, and are leading him on his fateful path to eventually being a part of the team that steals the Death Star plans—a team that paid the ultimate price in their successful mission that was the heart of the 2016 film Rogue One.

By The Credits  |  March 24, 2025

Interview

Producer

Producer Hsinyi Liu on Forging a Path From Taiwan to “Fleabag” & “The Ballad of Wallis Island”

Moving halfway around the world to live and work in a different culture and language presents inevitable challenges, but there is also a wealth of opportunities available to those who leave the familiar behind and immerse themselves abroad. This was the case for Taiwan-born and raised producer Hsinyi Liu, who learned the joys available to those willing to make the leap when she relocated to London more than two decades ago.

In an attempt at a compromise between her family’s expectations of a financially stable career and her own creative impulses,

By Gavin Blair  |  March 24, 2025
“The White Lotus” Episode 6: It’s a Family Affair

After the last episode in season 3 of Mike White‘s The White Lotus, when Sam Rockwell parachuted into the storyline and delivered one of television’s most unexpected monologues in perhaps the medium’s history (a stretch? if so, not by much), episode 6 had a lot of narrative momentum. White’s cosseted guests this year, whether their troubles are of a dangerously anguished variety (looking at you, Walton Goggins’

By The Credits  |  March 24, 2025

Interview

Producer

Reel Returns: Connecticut’s Film Investment Fuels Economic Growth in a Competitive State of Play

The evening before my conversation with Jonathan Black, a co-founder of the Connecticut Film and TV Alliance (CTFTVA), he was attending a hearing in Hartford. The Finance, Revenue, and Bonding Committee was listening to public testimony on Connecticut Governor Ned Lamont’s proposed film tax credit cut from 30% to 25%, a move that could strike a devastating blow to the state’s film and television community.

Black, a Georgia native, has roots in Hollywood,

By Daron James  |  March 21, 2025

Interview

Producer Screenwriter Showrunner

Inside “The Residence”: Creator Paul William Davies on Crafting a White House Whodunit

The Residence, produced by Shondaland for Netflix, is the much-anticipated whodunnit that is Shonda Rhimes’ second show set in the White House. The first, of course, was another beloved, Kerry Washington-led Scandal, which dealt in the shadowy world of Washington’s Olivia Pope, the queen of fixers. Now Rhimes and her collaborator Paul William Davies return to 1600 Pennsylvania Avenue to follow Uzo Aduba’s Cordelia Cupp, a world-famous detective and obsessive birder,

By Leslie Combemale  |  March 19, 2025
Rocking “The White Lotus”: Behind the Series’ Most Surprising Cameo Ever

The White Lotus delivered arguably the most surprising cameo in its three-season run this past Sunday night when Sam Rockwell appeared as Frank in episode 5, “Full-Moon Party.” Frank is an old friend of Walton Goggins’ Rick, who meets him in Bangkok to offer Rick a little help with his dark mission to settle an old score. In the process, Frank added a revelation that gave the season an unexpected jolt.

Before leaving the resort for Bangkok,

By The Credits  |  March 19, 2025

Interview

Cinematographer

How “Severance” Cinematographer David Lanzenberg Captured a Chilling Corporate Nightmare

Severance earned 14 Emmy nominations the first time around, and after a three-year hiatus, the show has reignited fan frenzy as it builds toward the Season 2 finale streaming Friday [March 21] on Apple TV +. Again, bifurcated employees and their bosses (Adam Scott, Britt Lower, Patricia Arquette, John Turturro, Zach Cherry, Tramell Tillman and Christopher Walken) navigate the tortuously fascistic world of Lumon Industries, which severs employees from their civilian selves — but now,

By Hugh Hart  |  March 18, 2025

Interview

Producer

SXSW 2025: Tapping Into Texas’s Vast Potential to Become the Next Cinematic Frontier

This year’s SXSW film festival in Austin blew into town with a considerable tailwind of enthusiasm for the Lone Star state’s film and TV future. Every state in the union can claim unique cultures, geographies, and mythologies, but there’s no disputing that Texas looms very large in our collective cultural imagination. It’s a state that takes very seriously the notion that it’s really a country.

Texas’s hold on our imagination is evident in how many great films and TV series are set there (whether they’re actually filmed there or not—we’ll get to that in a second),

By Bryan Abrams  |  March 13, 2025

Interview

Director

No Cuts, Pure Tension: “Adolescence” Director Philip Barantini on Crafting Netflix Thriller in Unbroken Single Takes

British actor Stephen Graham is so reliably intense he played Al Capone for Martin Scorsese in Boardwalk Empire, stared down Al Pacino in The Irishman, executive producer and co-starred in the bare knuckle boxing drama A Thousand Blows, and earned the prestigious Officer of the Order of the British Empire (OBE) award for his contributions to UK television. Now he’s co-written the acutely tense Adolescence (streaming on Netflix on March 13),

By Hugh Hart  |  March 13, 2025

Interview

Special/Visual Effects

Be Still My Bursting Chest: “Alien: Romulus’s” Oscar-Nominated VFX Team on Finding Fresh Horror for the Franchise

Alien: Romulus Visual Effects Supervisor Eric Barba and FX Designer Alec Gillis bring the past and future together. Set between the events of Ridley Scott’s ferocious opener Alien and James Cameron’s muscular sequel Aliens, Barba, Gillis, and their team fused the tangible, practical horror and decay of the original films with a more modern, rock-and-roll sensibility. The viscerally immersive results earned the film an Academy Award nomination for Best Visual Effects.

By Jack Giroux  |  February 20, 2025

Interview

Special/Visual Effects

“The Substance” of Nightmares: Oscar-Nominated Makeup Effects Master Pierre Olivier Persin on His Terrifying Transformations

Since its release last fall, writer/director Coralie Fargeat’s body horror thriller The Substance has artfully shocked Academy Award voters to the tune of five Oscar nominations, including Best Picture, Best Director, and Best Screenplay. Outstanding Actress nominee Demi Moore portrays aging actress Elisabeth, who gets way more than she bargained for after injecting herself with a serum that makes her look younger in the form of lithe “Sue,” played by Margaret Qualley.

By Hugh Hart  |  February 19, 2025

Interview

Sound Designer

“A Complete Unknown”: Orchestrating 60+ Live Performances for Oscar-Worthy Sound

In one of this year’s tour de force performances, Timothée Chalamet’s Oscar-nominated portrayal of one of America’s greatest singer-songwriters took almost six years to perfect (partly thanks to COVD-19 delays in production). For director James Mangold’s music biopic, A Complete Unknown, Chalamet not only learned to play the guitar and harmonica for the film, but also mastered Dylan’s famously idiosyncratic style to deliver over 40 flawless live-to-camera performances as the narrative charts his meteoric rise after arriving in New York in 1961.

By Su Fang Tham  |  February 19, 2025

Interview

Screenwriter

No More Games: “September 5’s” Oscar-Nominated Writers on the Day Terror Took Center Stage

The thriller September 5, directed and co-written by Tim Fehlbaum, revisits the day the Palestinian militant group Black September took nine Israeli athletes hostage during the 1972 Munich Olympics. Nominated for an Oscar for Best Original Screenplay, the script, which Fehlbaum wrote with Moritz Binder, is a tightly-paced journalism procedural centered on the ABC Sports studio’s broadcast of the attack as it happened.

Peter Sarsgaard stars as Roone Arledge,

By Susannah Edelbaum  |  February 18, 2025

Interview

Director

How Director Mohammad Rasoulof Shot his Oscar-Nominated “The Seed of the Sacred Fig” in Secret

Iranian filmmaker Mohammad Rasoulof wanted to tell a big story — so he went small. The Seed of the Sacred Fig explores his country’s authoritarian rule, repressive justice, patriarchal dominance, and women’s rights through its impact on one family.

Taking place during the 2022 Woman, Life, Freedom movement, a nationwide protest sparked by the arrest of Mahsa Amini, a 22-year-old Iranian woman jailed for not wearing a hijab and beaten to death while in custody,

By Chris Koseluk  |  February 18, 2025

Interview

Screenwriter

“Conclave” Oscar Nominee Peter Straughan on Scripting a Devilishly Good Vatican Thriller

Conclave is great, gripping entertainment from the first shot to the last. It’s a drama, both honest and escapist, deftly shot, performed, and staged by artists at the top of their respective games. In the hands of Academy Award-nominated screenwriter Peter Straughan, Edward Berger’s contemplative film moves briskly within the Vatican walls. A movie that takes us into one of the most secretive rituals on Earth – about the search for a new pope – is remarkably light on its holy feet.

By Jack Giroux  |  February 14, 2025

Interview

Director

Julian Brave NoiseCat & Emily Kassie’s on “Sugarcane”: Their Oscar-Nominated Exploration of Trauma and Truth

Toronto-born filmmaker and investigative journalist Emily Kassie has covered conflict around the globe, from the Taliban’s crackdown on women to child labor in Turkey. “But I had never turned the lens on my own country,” says Kassie. That’s changed with Sugarcane, which mixes a grassroots investigation with personal and collective reckoning of years of forced separation, assimilation, and abuse of Indigenous children by Catholic priests at St. Joseph’s Mission Indian residential school in British Columbia,

By Loren King  |  February 14, 2025

Interview

Producer

Oscar-Nominated Producer Maria Carlota Bruno on Recreating a Transcendent Heroine in “I’m Still Here”

In 1964, a coup d’état overthrew Brazilian president João Goulart, initiating a military dictatorship that lasted until 1985. The former congressman Rubens Paiva went into self-exile at the time of the coup but returned to Rio de Janeiro in 1970, where he settled into a pleasant household near Leblon Beach with his wife, Eunice Paiva, and their five children. Rubens continued quietly supporting dissident Brazilian expatriates and, in January 1971, was arrested and disappeared during a military raid.

By Susannah Edelbaum  |  February 14, 2025

Interview

Director Screenwriter

“Nickel Boys” Writer/Director RaMell Ross on Camera as Consciousness in His Oscar-Nominated Film

An introspective, promising teenager hitchhiking to college gets a ride in a car that turns out to be stolen. The driver is Black, and so is the boy. Deemed an accomplice despite his innocence, Elwood (Ethan Herisse) is remanded to Nickel Academy, a segregated Florida reform school. Nickel Boys, the Oscar-nominated film based on Colson Whitehead’s Pulitzer Prize-winning novel The Nickel Boys, follows the harrowing path Elwood is placed on by the Jim Crow South.

By Susannah Edelbaum  |  February 13, 2025

Interview

Costume Designer

“Conclave’s” Oscar-Nominated Costume Designer Lisy Christl on the Fashion of Faith

Following his Oscar-winning WWI epic, All Quiet on the Western Front, Edward Berger’s latest, Conclave, focuses on a different kind of battle, dropping us into the Vatican in his twisty ecclesiastical thriller. After the death of the current Pontiff, the honorable and evenhanded Cardinal Lawrence (Ralph Fiennes) is charged with convening one of the most secretive rituals in the world, the conclave, where over 100 cardinals from around the world are sequestered until they decide who amongst them will be the next leader of the Catholic Church.

By Su Fang Tham  |  February 13, 2025